An Australian company has released a limited collection of vehicles based on the Mad Max movie franchise.
The Mad Max Factory has unveiled the officially-licensed Mad Max vehicle re-creations which are aimed at serious collectors.
The inaugural collection consists of 25 vehicles, which are being sold through expressions of interest via https://madmax.com.au/
Mad Max Factory said the vehicles had been developed under the supervision of movie director George Miller and producer Doug Mitchell.
They said the recreations preserved the “raw mechanical aesthetic” that defined the franchise over four decades.
“These vehicles are loud, powerful and full of gas ready to hit the road,” the company said in a statement released today.
“Each vehicle is described as film perfect, designed to remain faithful to the original cinematic vision with an emphasis on physicality, visual intensity, and mechanical authenticity rather than digital or automated systems.
“The collection is intentionally positioned against contemporary automotive trends, with Mad Max Factory taking a hands-on, craftsmanship-led approach to building machines that feel functional, brutal, and real.”
Mad Max Factory said each build was designed to remain faithful to the original cinematic vision, “preserving the physicality and visual intensity that made the vehicles globally recognizable”.
Director of Film & Strategic Partnerships for Mad Max Factory, Giuseppe Cassin, said the vehicles were never meant to feel polished or soft.
“They were built to feel functional, brutal, and real, and that’s exactly what we wanted to preserve,” he said.
“Mad Max was never simply about the future. It was about survival, scarcity, and what remains when systems fail. Mad Max Factory brings that world into reality through vehicles built for collectors who understand the cultural weight these machines carry.”
The company emphasized that the cars were not a mass‑market automotive production.
The were a limited Australian build program centred on craftsmanship, mythology, and “one of the most enduring visual languages in cinema history”.
